Tygerland, by Cary Grace

Tygerland

by Cary Grace

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Butch Thundercock Fantastic songcraft, beautiful, wide-screen psychedelic production & perfectly played - plus, listening to the georgeous electronics on here, you can tell Cary Grace is a proper, old school synth nerd par excellence! Highly, highly recommended! Favorite track: Limelight.

muschiosauro This record is suspended in time. It's very modern, but it's also very analogue in a 70s way. It's otherwordly, but also full of energy. Sometimes it's challenging, while at other times it's ripe with melodies. It's earthy, yet abstract. It has wonderful female vocals. It's played in a fantastic way. This record is a great record. Favorite track: War Child.

vykr It evokes a sense of wonderment I haven't felt for quite a while -not since Kate Bush's 'The Dreaming' in fact. Consistently adventurous, great musicianship and a joy to experience. Favorite track: Windsong.

Pie (Second favourite song: "Cyanide")
The whole record is outstanding, but I have to give special consideration to "Windsong"... twenty minutes (!) of extraordinary "neo-psych" bliss, not to be missed!

(PSYCH DEVOTEES AND PROGHEADS, TAKE NOTE!) Favorite track: Windsong.

E'sPsychedelicBreakfast This track is so soothing, yet so full of energy and magic. But then again, so is the whole album. Purely romantic melodies! Favorite track: Cyanide.

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Compact Disc (CD) + Digital Album
Each of these stunning gatefold sleeves began as a professionally-printed and gloss laminated flat sheet of heavyweight card. Each sheet has been carefully hand-trimmed, scored, folded, and glued, one at a time, into a beautiful gatefold sleeve that is evocative of LP gatefolds, but smaller (made in the standard Japanese mini-LP replica format of 135x135mm).

Each sleeve is individually numbered on the inside edge, and inserted into a clear protective slipcover. Contains a photo card and lyrics booklet, plus inner sleeve for CD.

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Glossy black mini record sleeve with cover art on one side and label cutout on the other. Basic package with no lyrics or liner notes.

Glass mastered CD (not CD-R).

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1.	Tygerland 03:39	lyrics
Instrumental.
2.	Cyanide 04:47	lyrics
She’s a golden idol. She’s a sacred cow. There is no cheaper mistress, But you’ll pay anyhow. And is it really like a feeling made electric? Is it really like a fire inside your soul? Or or you only waiting for a single moment— Don’t you know you won’t be getting out of this one whole? She peels poisoned apples— That’s it, open wide— All your decaying Eden, For a taste of cyanide. And is it really like the summit of the mountain? Is it really like you’ve finally arrived? Or are you only waiting for the very first time— Don’t you know you won’t be getting out of this alive? Crawling like an insect— Empty as a hole. Nothing left to show for Everything you stole. And is it really like the end for all beginnings? Is it really like a blazing apogee? Or have you waited all your life for this one moment, Just to watch it all subside into the sea? © 2008 Cary Grace/Door 13 Music (BMI).
3.	Orange Sky (free) 06:03	lyrics	download
We have sailed the orange sky We have scaled the solar wind We have bled the summer dry Held the means but sought no end We have named forbidden names We have uttered the untold These were our immortal games Played for glory, not for gold We have fallen for the ground We have reckoned with the dead But when the tables turned around No words remained that need be said © 2012, Cary Grace/Door 13 Music (BMI).
4.	War Child 09:09	lyrics
I've been to the crossroads; I shook the hand of Fate. He said, "I am eternal." I said, "You are too late." It's natural selection— Gonna paint this red town black. I don't need the Lord's protection— The Devil got my back. I was born a War Child, A weapon for the times— I creep in like a lover, And I live between the lines. Brother is a killer, And sister sings the blues. I have a thousand faces, And most of them are true. I'll twist you 'round my fingers As you spin me through the crowd, And just when you think you've lost me, I'll speak my name out loud. I was born a War Child, A weapon for the times— I creep in like a lover, baby, And I live between the lines. I have no moral compass To help you find the way. I wave no flag in earnest— It’s just a game to play. I’ve been to the altar, I’ve held the relics high— I did not wear a costume, But my skin, it was a lie. I marked you with a letter— You took it in your stride. You said that you saw nothing, But your eyes were open wide. And the creature of your ashes Will rise on silent wing, And even as the shadow falls, You won’t suspect a thing. I was born a War Child, A weapon for the times— I creep in like a lover, baby, And I live between the lines. I was born a War Child, A weapon for the times— I‘m working undercover, baby, Gotta read between the lines. (repeat chorus) © 2015 Cary Grace/Door 13 Music (BMI).
5.	Limelight 05:22	lyrics
Freeze me, no air, only limelight Kite on weak string Fearless, rising Swing me, wide arcs, deep glide, turquoise Noise, deaf Zephyr’s sparkle carpet Wet skin waiting, endless eyeblink Sink me, no air, only limelight The rotation spirals - the mobius cadence Colliding in crystal, combining the senses Letting go and holding on Letting go and holding on Letting go and holding on Letting go and holding on See me floating in the limelight White as winter, real and unreal Feel this beauty is forever Blur the edges, turn me over I’m a nomad, searching snowblind Find me - not here - only limelight © 2009 Cary Grace/Door 13 Music (BMI).
6.	Razorwire 07:47	lyrics
Razorwire - mind on fire There’s no stopping what you never start Telescope - seed of hope Flames violently and comes apart Teacups filled with footfalls Left on tables, wait unnoticed Empty stages, breathless windows When the curtains move You are ghostly recollection Always leaving out the details Drawing portraits on the floorboards Incandescent gaze Watch the key turning me Hear the sound of clockwork winding down Solar flare; see you there In the places where we often drown Broken glass cathedral Scent of meadows Drawing inward Are you waiting Were you wounded On the edges here We are shadow - can you feel it? As the Earth moves, disappearing Growing smaller, and at mid-day We become the sun Teacups filled with footfalls Left on tables, wait unnoticed Empty stages, breathless windows When the curtains move We are shadow - can you feel it? As the Earth moves, disappearing Growing smaller, and at mid-day We become the sun © 2009 Cary Grace/Door 13 Music (BMI).
7.	Into the Indigo 05:23	lyrics
Will you conduct the stars tonight? The orchestra is gone, But ready floats the firmament— Awaiting your baton. And all the tales of Helios, And chariots of dawn, Echo in the atmospheres, Where lines cannot be drawn. In the ears of all the Earth, The symphony does rage— A million voices, but you stand Alone upon the stage. And spinning in the vortices, A moment is an age— And multitudes of constellations, Sketches on a page. Is it such a simple thing To sail upon the air? To look into the indigo, And all at once be there? But borne aloft on ringing song Of golden bells, beware: Nothing is impossible That's possible to dare. © 2009 Cary Grace/Door 13 Music (BMI).
8.	Windsong 20:16	lyrics
Many years ago When I was a naked child in the forest— Pillowed in the velvet moss, Lying in the circle of stones, Watching the sun play through the leaves of oaks— Throwing sparks on the quartz, Turning the petals of the violets First to jewels, then to bruises, and back— I heard the song of the wind. It drew my eyes down to the water— Little ripples of insect feet, Dancing the surface tension— To the storm-blue of the heron, Trying to hold every feather still, Staring deep into murkish bronze, Ever patient for the flash of a silver skin. My thoughts were not of words, but of sound. Humming the minutes of June, Murmuring mystery flights In the tall trees— The song of the wind, and I knew, The waiting is the hardest part. Slumped at a chipped formica table At a truck stop in Oklahoma or Kansas Or someplace—I forget, The sound came back. Someone was talking to me, But I only had ears for the wind, Playing over and again— Between the clashing curtains, Under the drone of engines, Under the mutterings of tired waitresses, And a few words on a napkin, But nothing important— Keeping my eyes on the water For the flash of a silver skin. Boarding a plane to England; Unremarkable voyage From one November to another November— I heard it again in the whine of jets, In the muffled rustlings of handbags, As the lights dimmed And the ground dropped away. But then it was gone. Overland, slow motion trick— Speed that has no sensation— Flat-topped cloud banks Blanked with fog— Curds and whey— Fire river snaked through— Illusion of flashing rouge— The spreading of ink on fingers— The ache of travel— The lines strobed red, then black, and I slept. FLASHBACK: Coming up for air Tearing myself from the wreckage of the crash Headlights beaming underwater Crawling up the bank Face on the ground Trying to hold every feather still Searchlights skimming just above Straining for a glimpse of my silver skin Pressed flat in the mud The windsong ringing in my ears Though I was the catch And the bird knew not how to wait And so I watched, And the flash in the blue was gone in a moment. Perhaps I will wait forever, But not like the heron, Trying to hold every feather still. I will try to learn the song, And someday I will sing— Sing the wind, Ring the chimes, And melt the fields. Because a great bird May snatch its prey from the waters and fly, But only to the next lake— Only to the next lake. And the wind sings all the world. © 2012 Cary Grace/Door 13 Music (BMI).

about

"... it’s not about it being a record that’s like this, or like that… it’s one of the most singular, distinctive albums that I’ve been sent in quite a while, and any comparison is just to say that it has qualities that stand it along side musicians and records that have meant things across the years, it has that sort of lasting quality to it." -Ian Abrahams (Spacerock Reviews blog)

"In summary… damn, I don’t know how to sum this up. Listeners could be forgiven for thinking the album too stylistically schizophrenic. I’ve always been among the “bring on whatever you’ve a mind to indulge in” type, so am mightily impressed with Cary’s flair for so many styles, both accessible and otherworldly. It is NOT easy to write and arrange a solid SONG. To do so and manage to up the ante with a sense of adventure, all within the context of the song, makes things very interesting." -Jerry Kranitz (Aural Innovations)

"‘Tygerland’ tramples over any attempt to be classified with Cary Grace equally at home across all rock genres." -Jason Barnard (The Strange Brew)

"This is an open-minded, intelligent, and highly enjoyable album from an artist I'm keen to hear more from." -Kim Harten (Aquamarine)

"So this yet again is a Cary Grace album I'm totally satisfied with. It's shaping up so well, I particularly mean the collaboration with Steffe and her diversified vocal respectively recitative expression. Hopefully there will come more of this in the near future." -Rivertree (progarchives.com)

"The actual best is saved for last, however. “Windsong” is 20 minutes in length and it’s both a summation of the songs that have preceded it and a nerve janglingly brilliant instrumental and vocal piece that is perhaps the most complete expression of what Cary Grace wishes to achieve with her music on the entire album. ...it’s a track that demands that you stay with it as at around the halfway point the guitar takes on a sullen growl ... the song begins to speed up and turn into the sort of verging-on-symphonic performance that only few artists can really make work. It says much about Cary and the musicians around her that “Windsong” is so spectacularly realised." -Jon Gordon

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READ FULL REVIEWS HERE:
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Five of these tracks (1, 2, 4, 5, 8) were recorded in August 2014 in a live session with Steffe Sharpstrings (Here & Now, Planet Gong) and John Garden (Scissor Sisters, Alison Moyet), Andy Budge, and David Payne.

"Into the Indigo" was recorded around the time of the Perpetual Motion sessions, and features guest appearances by Graham Clark (Gong), and Spencer Cullum Jr. (Dead String Brothers, Steelism).

Tygerland is available to download in better-than-CD-quality 24-bit audio for a better listening experience.

credits

released July 13, 2015

Cary Grace - Vocals, Guitars, Synthesizers
Andy Budge - Bass
John Garden - Guitars, Keyboards
Steffe Sharpstrings - Lead Guitar, Guitar Synthesizer, Glissando Guitar
David Payne - Drums
Catriona Shaw - Trumpet, Saxophone (track 4)
Owain Hutchings - Guitar (track 6)
Graham Clark - Violin (track 7)
Spencer Cullum Jr. - Pedal Steel (track 7)
Mark Griffin - Drums (track 7)

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Cary Grace UK

Cary Grace is an American expat, residing in England since 2005. She is as much at home wielding a soldering iron as a guitar, and runs
Wessex Analogue, manufacturing Wiard brand boutique modular
synthesizers. She devotes as much of her free time as possible to making and listening to music, and finds much of her creative inspiration exploring the beautiful English countryside by motorbike. ... more

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Tygerland

by Cary Grace

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Tygerland

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